| Off |
| Away |
| Step |
| Apart |
| Nearby |
| LP half |
| __ stand |
| Separate |
| Isolated |
| Obliquely |
| In escrow |
| Laterally |
| Privately |
| Divagation |
| In private |
| On reserve |
| Stage ploy |
| Sotto voce |
| Stage line |
| Confidence |
| Digression |
| In reserve |
| Pinero ploy |
| Play device |
| ___ tangent |
| Way to step |
| Play byplay |
| Actor's ploy |
| Stage murmur |
| Stage musing |
| Stage secret |
| Actor's line |
| Apart (from) |
| Ideas (anag) |
| Stage mutter |
| Better half? |
| In the wings |
| Stage device |
| Stage remark |
| Half of a 45 |
| Private line? |
| Independently |
| For later use |
| Obiter dictum |
| Tangent line? |
| Dramatic ploy |
| A way to turn |
| Private lines |
| Stage comment |
| Stage whisper |
| Actor's speech |
| Set __ (annul) |
| Throwaway line |
| Whispered line |
| Lateral remark |
| Set ___ (save) |
| Covert comment |
| Offhand remark |
| Actor's remark |
| Casual comment |
| Cassette front |
| Private remark |
| Notwithstanding |
| 45's moneymaker |
| Out of the way. |
| Player's remark |
| Script notation |
| Stage muttering |
| Stage utterance |
| Theatrical ploy |
| Indirect remark |
| Whispered words |
| Actor's whisper |
| Dramatic device |
| Stage direction |
| A kind of remark |
| Discourse detour |
| Dramatist's ploy |
| Set __ (nullify) |
| Short digression |
| Away from others |
| Brief digression |
| Off-mike comment |
| Stage digression |
| Off-topic remark |
| Reserve, set ... |
| Top of a platter |
| Script direction |
| One way to stand |
| One place to step |
| Parenthetical bit |
| Peripheral remark |
| Sotto-voce remark |
| Stage play device |
| To the right, say |
| Digressive remark |
| Whispered comment |
| ___ from that ... |
| Theatrical device |
| Like all kidding? |
| Tangential remark |
| Playwright's ploy |
| Theatrical whisper |
| Bracketed material |
| Place for kidding? |
| Place for old hits |
| Some turn this way |
| Sotto voce comment |
| The single (hyph.) |
| Onstage digression |
| Type of stage line |
| Out of one's mind? |
| All joking ___ ... |
| Muttered utterance |
| Thespian's whisper |
| Tangential comment |
| Incidental comment |
| Fourth wall breaker |
| Off from the center |
| Off-subject comment |
| Open secret onstage |
| Parenthetical words |
| Remark to the crowd |
| Something bracketed |
| Stored (with "set") |
| Away from the crowd |
| Dramatic digression |
| Off the direct path |
| Remark to the house |
| Stage whisper, e.g. |
| Besides, with "from |
| Playwright's device |
| In a separate place |
| Writer's digression |
| ___ from (excluding) |
| Audience-only remark |
| Confidential comment |
| Conversation tangent |
| Digression of a sort |
| In reserve, as money |
| Kept for safekeeping |
| Shakespearean device |
| Theatrical excursion |
| Away from the center |
| Words to an audience |
| Speaker's digression |
| To the left or right |
| Parenthetical remark |
| Line to the audience |
| Aimed at the audience |
| Certain dramatic line |
| Excluding, with "from |
| Lines for an audience |
| Main song, on old 45s |
| Not the B one (hyph.) |
| Main song, recordwise |
| Out of the mainstream |
| Theatrical digression |
| Line for the audience |
| Off the direct course |
| Out of one's thoughts |
| Parenthetical passage |
| Remark to an audience |
| Words to the audience |
| Parenthetical comment |
| Comment in parentheses |
| Comment to an audience |
| Thought between dashes |
| Words for the audience |
| Step ___" ("Make way") |
| Onstage thought bubble |
| Remarks to an audience |
| Place for all kidding? |
| Private lines, perhaps |
| Tangential observation |
| Stage whisper, perhaps |
| Remark to the audience |
| ''All kidding ___ ...'' |
| Oh, by the way" comment |
| Remark for the audience |
| Remark to the playgoers |
| Spoken thought, onstage |
| Where all kidding goes? |
| Onstage thought balloon |
| Comment to the audience |
| Your fly's undone," e.g. |
| Coward's ''To Step ___'' |
| Delivery to the audience |
| Most played part of a 45 |
| Much-played part of a 45 |
| Sleater-Kinney "Step ___ |
| Spoken thought, on stage |
| To the left or the right |
| Where to find a 45's hit |
| Whisper for the audience |
| Word after step or stand |
| Unheard" remark, on stage |
| Actor's whispered comment |
| Hamlet's first line, e.g. |
| It breaks the fourth wall |
| Where to put all kidding? |
| Hit song on a 45, usually |
| Utterance to the audience |
| Where all kidding occurs? |
| Actor-to-audience comment |
| Step __!": "Out of my way! |
| Bracketed word in a script |
| In the rainy-day fund, say |
| It might be in parentheses |
| Line just for the audience |
| Player's sotto-voce remark |
| Comment off the main point |
| Shakespearean stage device |
| Thespian's whisper on stage |
| Thinking out loud, in a way |
| Whispered line on the stage |
| Line spoken to the audience |
| Noël Coward's "To Step ___ |
| Actor's line to the audience |
| Words never "heard" on stage |
| In reserve Weakerthans tune? |
| Parenthetical script comment |
| Song much played on the radio |
| Take ___ (speak to privately) |
| Words to no one in particular |
| Word with ''step'' or ''set'' |
| Indicator of a private thought |
| It might start "By the way ... |
| Other characters don't hear it |
| Step ___ (move out of the way) |
| Where a needle is usually put? |
| Actor's remark to the audience |
| Remark directed to the audience |
| Departure from the main message |
| Actor's comment to the audience |
| Comment starting "By the way ... |
| Line spoken only to the audience |
| Remark between actor and audience |
| Actors lines only for the audience |
| It's not heard by other characters |
| Remark that breaks the fourth wall |
| Play line delivered to the audience |
| Comment meant only for the audience |
| Word following ''push'' or ''cast'' |
| Actor's lines meant for the audience |
| Line that actors pretend not to hear |
| Remark from an actor to the audience |
| Where something can be set for later |
| Words intended only for the audience |
| Dialogue that breaks the fourth wall |
| Don't Be Cruel" vis-à-vis "Hound Dog |
| Actor's remark for the audience alone |
| Hey Jude" vis-à-vis "Revolution," e.g. |
| Line spoken by an actor to the audience |
| Love Me Do" vis-à-vis "P.S. I Love You |
| Where one may be taken for a private word |
| Penny Lane," to "Strawberry Fields Forever |
| Presley's "Don't," e.g., not "I Beg of You |
| Penny Lane," not "Strawberry Fields Forever |
| Step ___" ("Let me show you how it's done") |
| Elvis's "What'd I Say" vis-à-vis "Viva Las Vegas |
| Stage line intended for only the audience to hear |
| It's supposedly not heard by other people on the stage |
| Hamlet's "A little more than kin, and less than kind," e.g. |
| Shylock's first one begins "How like a fawning publican he looks! |